or The Odysseus we deserve - not the Odysseus we want or All the emotional range of a Hollow Horse Christoper Nolan has a problem. Stick to a faithful retelling of the epic poem, warts and all – a hero who commits deceit, murder, adultery and gross negligence, or fabricate a fantasy world, a weird, wonderful (and trippy) world of Gods and Monsters, a world where neither time nor space fly like an arrow, but bend and meld to the will of the Gods’? As it turns out, Nolan’s Odys